Dream Nightclub, by TKB

Dream Nightclub

by TKB

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ghosttropics I think this could be my favourite album of the year so far. There's something incredibly elusive about it, like grasping at water, and yet so endearing that I can't stop returning. I've listened countless times already and somehow can barely remember a thing about it as soon as it is over, like waking up from a dream.

Harrison Phinney dankest music I’ve heard in quite awhile. not gonna bother trying to draw parallels with anything else. so far leftfield it’s literally off-the-grid. for the headiest of heads. Favorite track: 010.

Lost Tribe Sound Urging everyone to get familiar with Timothy K Brown's catalog. High inventive and the craftsmanship he lends to each tone, each individual source, each fleshed out album and concept is his secret sauce. Dream Nightclub takes a more rhythmic almost upbeat direction than any of TKB's previous albums, a slow, emotive, languid sort dance peppered with raw bits of instrumentation and warm malfunctions. No sense in comparing this one, the early Jan Jelinek reference is about as close as I could get.

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Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of End Is Important, Eternity lies within or nowhere, Dream Nightclub, Slow Drift, Frío, Heart Music, Joy of Labour, One Thousand Lonely Places, and 76 more. , and , .

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about

“It seems unlikely that Where To Now Records would want to release something made in a shack on a river conservation property outside Melbourne Victoria. I've attempted to make the music that I hear in the dance clubs I dream about. I've never really been to a dance club.. but I'm trying to be sophisticated.”

Club music reimagined in an off grid Australian floodplain, of course this is something we’d want to release. Thankfully the accompanying music to the above sentence submitted by Timothy Brown aka TKB is every bit as intriguing as you might hope. ‘Dream Nightclub’ is a truly downbeat and dubbed journey through murky and swamped fourth world bass ambience, and longing, freeform minimal electronics.

TKB’s drum programming throughout is primitive, minimal, and unnervingly off kilter - shuffling its way through a world which waits… There’s a palpable sense of spirituality lurking low level below Timothy’s electronic works, where ambient scapes move from the deeply minimal, to the lush sublime, to the dense and agitated seamlessly, all underpinned with this submerged experimentalism - conversing with the still oddities which lurk the swamps and plains that consume Timothy’s day to day.

“The floodplain below my house is full at the moment. It's serene with the mountains behind, but as soon as you step outside the air is throbbing with the sound of frogs…”

Seeming to draw influence from the minimal pulse of Jan Jelinek, the fourth world ambience of Jon Hassel, and the open Dub experimentalism of Early On-U-Sound acts like The Missing Brazilians and African Head Charge, TKB has channeled these experimental strands into something truly dreamlike - a submerged trip which is shrouded in a dense fog…

Recorded on Wurundjeri Country, Coldstream, Australia

credits

released January 27, 2023

Written and recorded by Timothy K. Brown
Mastered by Rupert Clervaux
Illustrations by Liam Cosford
Design by James Hines

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Where To Now? Records UK

Now defunct Record Label.

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